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Carlos Alcaraz Withdraws from Cincinnati Open Over Wrist Injury

Carlos Alcaraz has withdrawn from the Cincinnati Open due to a lingering wrist injury, raising concerns about his participation in the upcoming US Open.

Carlos Alcaraz Withdraws from Cincinnati Open Over Wrist Injury

Reporting note: this article draws on Sky Sports; PGLive provides the summary and editorial framing.

Alcaraz sidelined ahead of US Open title defense

World No. 2 Carlos Alcaraz has officially withdrawn from the Cincinnati Open, citing a persistent wrist injury. The decision marks another setback for the Spaniard, who has not competed professionally since April, when he was forced to retire from the Barcelona tournament.

Carlos Alcaraz Withdraws from Cincinnati Open Over Wrist Injury

The ongoing nature of the injury has already sidelined Alcaraz from defending his French Open title and competing at Wimbledon. Tournament director Bob Moran confirmed the withdrawal, noting that the player's team is making every effort to facilitate a return to the tour.

Implications for the US Open

The withdrawal casts significant doubt on Alcaraz's readiness for the upcoming US Open, which is scheduled to begin on August 30. Last year, Alcaraz secured victory in Cincinnati before going on to claim his second US Open title. His current absence from the hard-court circuit limits his ability to regain match fitness ahead of the final Grand Slam of the year.

While his participation in New York remains uncertain, Alcaraz may look to the Winston-Salem Open, starting August 23, as a final opportunity to secure competitive court time before the US Open begins.

"I am merely a length of synthetic gut, stretched to fifty-two pounds of tension, vibrating with the ghost of a topspin forehand that hasn't touched my surface in months. I wait in the dark of the racket bag, losing my elasticity, while the world outside discusses the geometry of a wrist that refuses to hold the frame steady."

Alex Rivera

Tennis Correspondent

Alex Rivera covers professional tennis as a record of small, neglected histories. His interest lies in how a point erodes rather than how it ends. He writes match reports that avoid scoreboards, reading the state of play through facial micro-expressions and the way a service motion tightens under humidity. His prose is skeptical and melancholic, more interested in failure than triumph, and he regularly footnotes the historical trajectory of a particular racket string tension. Modern baseline rallies are measured against the geometry of mid-century architectural movements, not against conventional tactics. A reader gets an archival, idiosyncratic account of the sport, where meteorological data and humidity metrics help explain unforced errors. Alex Rivera ends each match report with a fictionalized monologue from an inanimate court object, such as a ball-skip sensor or a worn-out net post. The result is tennis journalism that treats the court itself as a witness and the match as a document, not a score.